The Dutch Progressive Rock Page has published a review of the album.
'What at first sounds like a singer/songwriter album [...], I now regard a beautiful album cast by a songsmith. I especially like how many of the songs reveal their intensity slowly.'
'... an excellent album to sit down to enjoy with a peaty whisky.'
So pour yourself a glass of Lagavulin, and put on your headphones!
Here's the blog. Mostly about the music. Comment! Enjoy!
Here's the first piece based on M. A. Foster's 'The Gameplayers of Zan'.
The novel opens with a chapter from the viewpoint of Maellenkleth srith Perklaren, a 'New Human' currently held captive in a sensory deprivation chamber, having been so far unsuccessfully interrogated by her captors, the 'forerunners'.
They know she's hiding something important, and she knows that when they eventually release her from the box, she will be so broken that she will tell them what she absolutely must not divulge. To tell them will be to destroy the destiny of her people that some of them have been secretly working towards for centuries, (and that neither we as readers, nor the forerunners know anything of at this point).
She reviews her life, reliving happy memories, but always returning to the thought that she has no choice now but to 'autoforget'. This is something that the New Humans can do - but it's a terrible action that means they don't just forget certain things, but everything they've ever learned. She will be an adolescent with the mind of a baby - knowing nothing of her past - unable to speak, or even walk.
At the end of the chapter, she finds the knot in the weave of her character, unties it and unravels her mind.
'Now There's No Room' is written, recorded and released (and available here). I had lots of things I wanted to say, and I got it all off my chest, so the question arises, what to write about now?
I've decided to get right away from the political stuff and write some pieces based on a novel that I've loved since I first read it at age eighteen. It is, I suppose, science fiction, but not in the 'cowboys and Indians in space' genre by any means.
The Gameplayers of Zan by M.A. Foster is an obscure novel. I've never met anyone else who's read it. I may explain some parts of the plot as each piece of music is completed, but here I'll just say that two major things have appealed to me.
The first is that it's modelled after a Greek tragedy; the 'good guys' do succeed eventually in their endeavours, but at great cost to themselves. It's intensely bitter-sweet. The second only occurred to me recently, and it's that three of the four main protagonists are female. They are strong not only in the way they're written, but in their characters. That's refreshing - especially in the realm of science fiction, and laudable given the novel's publication date of 1977.
For more information about this unknown, but worthy classic, click here.
This is a limited run of the CD version, so if you want a copy, get your order in! Pre-orders have been posted, thank you to everyone who ordered. If you'd like a copy, click here.
Of course, if you can't be bothered with all that mucking about with physical things, you can grab a download of most of the music on the same page. The CD album includes an extra track and a number of interludes that tie the songs together.
The Sibylline Books Joni Mitchell sang, 'You don't know what you've got 'til it's gone.' Never a truer word...
Now There's No Room How long until all the figures of speech we have that allude to animals are made permanently obsolete?
Misunderstood How to avoid worrying about anything.
Trope - interlude
Suit Some of the villains of the piece.
Salt - interlude
The Barefoot Chocolate Maker By way of contrast, a true story about a good man who really made a difference.
Theme (extra track - CD only)
Marionettes 'The puppets refuse to return to the box'.
Glass Bubble - interlude
Panopticon / Rome Burns How much is it possible to really know, and what can we do about it?
Greetings from Earth - interlude
The Last Song We certainly won't be around in a million years. Will there be anything at all to hint that we were ever here?
Super excited about the official release of the CD album 'Now There's No Room' less than a week away - on the 8th September. This is a limited run, so if you want a copy, you should get your order in! You can pre-order right now, and it's at the perfectly reasonable price of £6.93 + £2.00 postage and packing.
The CD album includes an extra track and number of interludes that tie the songs together. These are only available on the CD version.
1 The Sibylline Books
2 Now There's No Room
* Trope - interlude
* Salt - interlude
5 The Barefoot Chocolate Maker
6 Theme (extra track)
* Glass Bubble - interlude
8 Panopticon / Rome Burns
* Greetings from Earth - interlude
9 The Last Song
Lathe of Heaven is proud to announce the CD album 'Now There's No Room' will be released on Saturday 8th September.
You can click to buy on pre-order now, and we'll send you your copy in the following week. In addition to the songs listed in the download section of the music page, there is free bonus material on the CD album version only. This extra music was created to connect the songs together in a way that makes a complete, immersive experience for the listener. Hey.... it's a prog rock concept album - how could we do it any other way?
Click here for the music page.
The Ed Sheeran / Marvin Gaye lawsuit going on currently points to a sickness in popular music at the moment.
Over the last couple of decades, money has become increasingly tight in the music business. It's more and more expensive for a label to get a top 5 hit, so even the profits on a successful song aren't a patch on what they were.
Labels becoming more litigious is more likely as profits decrease. You've got to get your money somewhere, and you have to protect your brand. What's more, whereas a suit used to be about a stolen melody, more and more, we're seeing claims about chord sequences. Part of the Sheeran/Gaye lawsuit is the claim that the chord sequence is the same. It'll be interesting when someone tries to claim ownership of the I IV VI V sequence, which has been used in scores, if not hundreds of hits.
Which brings us to playing safe with song writing. Again, because so much is at stake to produce a hit, nobody who seriously tries to make a living from their writing is going to try to be original. It's too much of a gamble. While for the most part, nobody sitting down to write a hit says, "I'll start by stealing part of this other song," they may well start jamming on that trusty I IV VI V sequence.
So we hear chart songs becoming increasingly similar because taking a musical chance is dangerous, and we see more lawsuits as songs rely more and more on their similarity to each other in order to be hits.
Another consequence is that over the course of a generation the average chart listener has heard less and less variety in harmony, and like a child who has only eaten burgers and fries, any new taste / harmony they're subsequently introduced to is treated with deep suspicion.
That's no way to have a hit.
For music that ignores all considerations of chart success, but still wants to be loved, click here.
As I was growing up, I heard music pretty much in album format only. My folks didn't often have music radio on, so I didn't hear individual songs very much. When they listened to music they'd switch on the radiogram (!) and put on the soundtrack to Fiddler on the Roof, or High Society with Bing Crosby and Frank Sinatra. Or they'd put on a symphony by Mendelssohn or Beethoven. They didn't have any singles.
This was just background to me, as I didn't really get into any of it, but I realise that it shaped the way I listen to music to this day. I play albums. I rarely use shuffle on my MP3 player, always preferring to select an album. Even now, if I come across a new band, I'll buy a CD and listen to it as a whole.
How about you?
The other thing I do is hardly ever put on music as background while I do something else. I much prefer to settle down and give the music my undivided attention. I immerse myself in it. I have a decent hifi, and some great headphones, and unless I'm in the car, that's how I'll listen. I guess I'm in a small minority in this.
What do you do?
My first dozen music purchases. Quite a few classics in there!
Uploaded to the music page are all the tracks for 'Now There's No Room' in full resolution wavs. And now you can have them in high resolution MP3 format too.
So if you have a slowish connection and wavs are just too cumbersome to download, you can choose the MP3s. If you are a stickler for quality though, you can take the time to have the music at full hifi resolution. It's up to you, and for the moment, everything is still free.
What more could you ask for?
Children being born today will inherit a very different planet from the one we have known throughout history. The way things are going, the change they will see in their lifetimes won't be intelligently managed or even curtailed. It will be catastrophic. Catastrophic to people, but also to most other living things. Which means catastrophic to people.
We don't seem to be capable of averting this, and I started wondering what evidence would be left of us in say, 20 million years? What would be left to show of our self-important species? No wood that we've used, no concrete. Even plastics wouldn't last nearly that long. Cut diamonds would still be around, but they would be hard to find. Some radioactive elements where power stations and missile silos once were might still be detectable, but again only in specific locations.
The asteroid that killed all the non-avian dinosaurs left a telltale trace of iridium in a specific geological layer around the entire planet. Is there an equivalent that would be a ubiquitous telltale of human civilisation?
One thing that will survive us will be those little space probes launched in the 1970s - Voyagers 1 and 2. They will continue on their outward flights indefinitely, with nothing to destroy or even weather them very much. What if some space-faring aliens stumble across one of these probes one day? That's where The Last Song begins.